Sand Hill Review Press
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NEW from Sand Hill Review PressWindow on Pike PlaceRachel McAlister saves Joshua Todaro's life on an Afghanistan battlefield. Back home in Seattle, he asks her to marry him. But someone murders Joshua in his Pike Place apartment and frames Rachel. On trial, she holds on to the only two things in the world that she can trust: her love for Joshua, and the battlefield bullet he gave her. She has to hope she can figure out who set her up before it's too late.AVAILABLE NOW ON AMAZON.COMPAPERBACK AND KINDLEMarty Sorensen has been the publisher of literary anthologies for over 15 years and he has started many a writer on their way to success. Always in the wings and never in the spotlight, Sorensen has finally allowed therelease of one of his best stories,Window on Pike Place.
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By Carolyn Howard-Johnson Author of The Frugal Editor, the winning-est in her award-winning HowToDoItFrugally Series of books for writers This article is excerpted from some editing I did for a writer of experimental fiction when I was on a Greater Los Angeles Writers Society panel writer of any genre can apply these suggestions to the chase, getaway, or high action scene in your script or manuscript before you send it to an agent or publisher or, better still, while you are writing the first draft. Sometimes even the most fascinating, interesting and irresistible detail can slow down the forward movement of your story. So as much as writers are told that detail is important, purge as much as you can from your action scenes and put it somewhere else or dribble it into narrative in other places in your manuscript. In the process, ask yourself if your reader really needs to know the color of the protagonist’s eyes. As important as detail is, some is better left to t
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