Skip to main content

Generating New Work: Tupelo Press’ 30/30 Project By Aline Soules (guest blogger)

Hello,
 
I'm Aline Soules, writer, singer, and librarian.  As a writer, I choose subjects that move me and I choose my genre according to my subject matter.  My latest chapbook, Evening Sun: A Widow's Journey, emerged from my many years of widowhood and I sought, through poetry, to honor my late husband and speak about the inner journey of widowhood.  After reading numerous books about the practicalities of coping with widowhood, I wanted to explore the emotional journey.  Poetry enabled me to do that.
 
Generating New Work:  Tupelo Press' 30/30 Project
By Aline Soules (guest blogger)
 
There's a saying that writing is 10% inspiration and 90% perspiration.  My experience confirms that because there are times when writers wonder if the revision process will ever end.  There's always something to re-think, tweak, or improve.  Yet, without original material, there's nothing to revise, making the 10% inspiration a very important part of a beginning process.
 
Which do you prefer:  writing on a blank page or working with material you've already written?  Some writers revel in the generation phase; some dread the blank page and find it easier and preferable to work with existing material.
 
Are you able to turn off your internal editor and free flow on the page or do you find that you self-edit along the way?  The best generative work comes from free writing and free flow from your brain to the page. 
 
When I say "best," I don't mean some inspirational moment when something flows effortlessly from your brain to a perfect final draft on the page.  I'm talking about letting go and creating messy material that you can later revise, edit, and polish.
 
One way to generate new work is to journal every day: write your inner thoughts on a page first thing in the morning or last thing at night or when you have a break from other activity.  I believe in that and I practice that; however, once in a while, it's great to find a new environment and supportive space for that process.
 
That's where Tupelo Press' 30/30 Project comes to the fore.  The press describes this as both "an extraordinary challenge" and a "fundraiser for Tupelo Press, a nonprofit 501(c)(3) literary press." 
 
Each month, approximately nine poets commit to write 30 poems in 30 days.  In addition, they commit to helping the press seek "sponsors" to encourage them through donations.  What the poets create—rough or ready—is added to the page every day and builds through the month, only disappearing to make room for the next month's poets.
 
I signed up for August, 2015.  As I write this blog post, I'm on day 12.  I not only have the challenge, I have discovered the community as well.  What Tupelo Press' description doesn't say is that the nine of you begin to bond through special Facebook pages and we celebrate each others' successes as we write.  We also share our publication successes in whatever venue we place our work.  As the project "alumni" grow, so does the community.
 
I had long wanted to do this, but was too busy with other commitments.  Now that I'm in the process, I realize that I might want to do it again sometime in the future.  When I complete the month, I will have poems to revise, to keep, to toss, to be a foundation for a larger work, who knows? 
 
As I focus entirely on generation and not on revision or editing, I find my mind expanding, letting go, being less critical.  The joy of that is that I'm finding words I wouldn't have found otherwise, even if, later, I change every one of them. 
 
Inspiration may be only 10%, but it's the heart of where we begin.  At the end of this month, it will be time for me to hand the baton to the next poet, whoever that may be.  Will it be you?  Maybe.  Think about it.  Explore the web site.  See what you think.  If you're interested, email kmiles@tupelopress.org and let her know you're interested. 
 
And, by the way, a donation would be lovely!  You can support a particular poet by clicking "donate" on the web site and finding the drop down menu with our names.  Any $ amount is much appreciated.
 
Thanks, and happy writing.
 
Aline
 
Aline Soules, Author
Meditation on Woman
 
Goodreads:  Aline Soules

Comments

Popular posts from this blog

MARGARET FIELAND INTERVIEW (guest blogger)

When did you first know you were destined to be a writer? LOL, I never realized I was destined to be a writer -- I fell into it. I'd written poetry for years, collecting it in notebooks stacked in my attic when I wrote one I wanted to keep. This led me to several online sites and ultimately to discovering the Muse Online Writers Conference where I hooked up with Linda Barnett Johnson and joined her writers forums. She required everyone to write both fiction and poetry, so, with much trepidation, I started writing fiction. Then I got hooked on it, wrote a chapter book, took the ICL course and actually learned how to write it. Then in 2010, I was seized by a desire to write a sci fi novel, so I spent six weeks or so on world building, mostly, with a bit of plotting thrown in for good measure. Who would you cite as your influences? I'm a way-back sci-fi fan, and Robert A. Heinlein influenced me heavily. I took a lot away from his writing, notably the value of surpris...

A Tip for Authors: What to Put on the Back Cover of a Book

If you have accomplished the arduous task of writing a book, you may not embrace the job of choosing what to put on your book's back cover. Maybe you think that a short biography, along with a few endorsements should suffice. Actually the material on the back cover can carry out its intended job, without the presence of a two or three line bio. It does pay to highlight any endorsements you have received from experts within the industry, or from recognized members of government or society. Still, you may not have on file an endorsement that can stir up the emotions in a potential reader. Yet you have little reason to hope that the reader of the rear covering piece will elect to look at the pages between the covers, if you fail to trigger that same person's emotions. With that fact in mind, you must consider what emotions might push a book lover to purchase the publication that bears your name. Maybe that potential reader feels challeng...

Those S and ES Endings by Mary Deal

These endings have always troubled me until I finally decided to get it right. Compare the versions and pick out the correct usages in this name ending with the letter s . The Joneses came for dinner. The Jones’s came for dinner. The Jones came for dinner. John Joneses car stalled. John Jones car stalled. John Jones’s car stalled. That Jones’s girl. That Joneses girl. That Jones girl. The correct sentences are: The Joneses came for dinner. John Jones’s car stalled. That Jones girl. Some tips: When a name ends with an s, and when speaking of the family as a group, add es , as in Joneses. When speaking about something John Jones owned, it is his property and, therefore, an apostrophe and s shows ownership, as in Jones’s . When speaking about a person in the singular, use only the name Jones. However, when speaking about a group of girls all named Jones, you would write that sentence: The Jones girls . Notice that the name stays...