Skip to main content

Thoughts on Books signings: Yes? No? Hmmm? by Feather Foster



There is considerable discussion out there about whether in-store book signings are of any value to the author - or to the book store itself for that matter.

As far as the retailer is concerned (particularly with e-books and online availability and everybody and his brother writing stuff, good or bad), as long as purchasing sufficient quantities is not a bookkeeping nightmare, they have everything to gain and nothing to lose.  Other than the expense of purchasing your books with guaranteed returnability (a biggie!) and perhaps providing a quickly whipped up blurb on their website, and maybe a little on-table poster, there is virtually no expense to them. Some places will offer you a cup of coffee.  No big deal.

As far as the author is concerned, this can be a little hairy.  If you are a mega celebrity like Stephen King or Madonna, there is no problem. Your publisher takes cares of all expenses and the books stores stand in line clamoring to play host, ditto the customers. If you are like the other 99.99% of the author-world however, there are definitely some out-of-pocket expenses.

Forget about your time, as in time is money. Unless you still havent quit your day job, your time should be considered an investment.  If you need to provide your own books for sale, this is usually not a huge issue, since you probably have sufficient quantity in the closet.  Your car, on the other hand, can be very cranky.  It is one thing to travel ten or fifteen minutes down the road.  It is something else to drive fifty miles ONE WAY.  There's gas, wear and tear, insurance, and maybe tolls involved. There is also no guarantee that anyone will buy a book. 

Most authors do not mind too much if they dont MAKE money. They do mind, however, if they LOSE money. 

Probably the key to the value of book signings is the authors expectations.  One must be realistic. Where is the venue located?  Little-Town is not New York.  How many people are interested in your subject? (Be honest)  How many books do you think you can reasonably sell? (Be honest) How much money can you expect to make per book?  Your books cost you money to purchase.  The store wants to make a little something. The reader wants a good value.  And again, There is also no guarantee that anyone will buy a book. 

But what will happen if you do nothing?  Nothing.  If you do nothing, nothing will happen for sure.

The bottom line truly depends on the author. How engaging are you?  Announce yourself as the author of the day.  If you stand, make eye contact and engage the customer, you may not always make a sale, but you stand a better chance.  If you plunk down at the signing table and wait for people to come to you, you will have a long wait. 

Major advice:  You need to develop a sense of your target customer.  Male or female?  Old or young?  If you write children's books, go for the grandparents.  Kids dont buy books. Grandma does, and she is more likely to buy one than tired, harried, worried and financially stretched parents.  If you write serious or academic material, you need to be in a bookstore near a college or university. 

Hand out your cards or bookmarks or flyers or whatever else you want to give away. You dont need to bake cookies. You dont need free pens.  A backdrop poster is fine if you are going to a book fair, or a venue with other authors.  Otherwise a small dish of wrapped hard candies works just as well with no effort. And they dont get stale.  Encourage your prospect (if you get one) to email you with their comments.  Have a guest book, and let them sign it if they want to be on your mailing list. If they dont, let it go.  And do not be surprised or disappointed if somebody's gives you a bogus email address. That comes with the territory.

Like Polonius said, know thyself.  Shy does not work.  Bored does not work.  The store provides a venue, a chair and perhaps a public address announcement. That's all folks.  They cannot provide customers, and they cannot make the customers interested in your book. 

It is up to you.  If you haven't done a book signing, you absolutely need to do one if you can.  See if and how you can make it pay off.

Or not.




Feather Schwartz Foster
MARY LINCOLNS FLANNEL PAJAMAS and Other Stories from the First Ladies Closet
THE FIRST LADIES
LADIES: A Conjecture of Personalities



Comments

Popular posts from this blog

MARGARET FIELAND INTERVIEW (guest blogger)

When did you first know you were destined to be a writer? LOL, I never realized I was destined to be a writer -- I fell into it. I'd written poetry for years, collecting it in notebooks stacked in my attic when I wrote one I wanted to keep. This led me to several online sites and ultimately to discovering the Muse Online Writers Conference where I hooked up with Linda Barnett Johnson and joined her writers forums. She required everyone to write both fiction and poetry, so, with much trepidation, I started writing fiction. Then I got hooked on it, wrote a chapter book, took the ICL course and actually learned how to write it. Then in 2010, I was seized by a desire to write a sci fi novel, so I spent six weeks or so on world building, mostly, with a bit of plotting thrown in for good measure. Who would you cite as your influences? I'm a way-back sci-fi fan, and Robert A. Heinlein influenced me heavily. I took a lot away from his writing, notably the value of surpris...

A Tip for Authors: What to Put on the Back Cover of a Book

If you have accomplished the arduous task of writing a book, you may not embrace the job of choosing what to put on your book's back cover. Maybe you think that a short biography, along with a few endorsements should suffice. Actually the material on the back cover can carry out its intended job, without the presence of a two or three line bio. It does pay to highlight any endorsements you have received from experts within the industry, or from recognized members of government or society. Still, you may not have on file an endorsement that can stir up the emotions in a potential reader. Yet you have little reason to hope that the reader of the rear covering piece will elect to look at the pages between the covers, if you fail to trigger that same person's emotions. With that fact in mind, you must consider what emotions might push a book lover to purchase the publication that bears your name. Maybe that potential reader feels challeng...

Those S and ES Endings by Mary Deal

These endings have always troubled me until I finally decided to get it right. Compare the versions and pick out the correct usages in this name ending with the letter s . The Joneses came for dinner. The Jones’s came for dinner. The Jones came for dinner. John Joneses car stalled. John Jones car stalled. John Jones’s car stalled. That Jones’s girl. That Joneses girl. That Jones girl. The correct sentences are: The Joneses came for dinner. John Jones’s car stalled. That Jones girl. Some tips: When a name ends with an s, and when speaking of the family as a group, add es , as in Joneses. When speaking about something John Jones owned, it is his property and, therefore, an apostrophe and s shows ownership, as in Jones’s . When speaking about a person in the singular, use only the name Jones. However, when speaking about a group of girls all named Jones, you would write that sentence: The Jones girls . Notice that the name stays...