Skip to main content

A tale of personal growth, discovery, empowerment & self-forgiveness




A tale of personal growth, discovery, empowerment & self-forgiveness
Shattered with the disturbing loss of both her parents, Cathy struggles with her identity asking every morning as she looks in the mirror Who Am I? Riddled with guilt and plagued by the issues left unresolved with her mother's disappearance, she reluctantly pushes outside the box she has created for herself. Rescued from her isolation by a new friend named Jane, Cathy begins to break free of her shell through Jane's insistence that the world's adventures are to be embraced. Further, challenged by a demanding, creative writing Professor, Cathy discovers the cathartic effects of writing as she pours her thoughts and feelings onto paper, transforming not only the blank piece of paper but also herself. 

As if emerging from a fog, Cathy's recovered memories enable her to look within and begin to piece together the shards of her shattered life.Through her small network of friends and mentors, her self-doubt slips away as her confidence begins to grow, and she discovers that the answers she seeks lie within. A wistful first love brings a touching element to remind us that there is a Cathy inside all of us.

Many will identify with Cathy's loss and loneliness, a condition which plagues most teenagers. While we feel her ennui, ultimately we are uplifted by the triumph of her spirit. With subtle grace, complicated wisdom, and striking emotion, Splintered Reflections reminds us of our human capacity for resilience, epiphany, and self-realization. This is a contemporary and relatable tale of personal growth, discovery, empowerment, and, finally, self-forgiveness that old and young alike will find compelling.


PO Box 1223, Conifer, CO 80433

Unsubscribe | Change Subscriber Options



Comments

Popular posts from this blog

Ampersands: Pretty Is as Pretty Does

   By Carolyn Howard-Johnson Author of the multi award-winning HowToDoItFrugally Series of books for writers   Have you noticed how ampersands turn to gibberish when they are entered into some blog services like Google's blogpsot.com? That is only the beginning of problems ampersands cause for editors, and publishers of all kinds. Many of the difficulties they cause go unnoticed except by the publishing pros we would all like to impress like agents, librarians, bookstore event directors, and the acquisition editors at Knopf!    That's why I added a new section to the second edition of the winningest book in my #HowToDoItFrugally Series of books for writers,  The Frugal Editor . Because ampersands seem to be so popular these days, it's especially important for editors and authors who publish books to know a little about their history, how to use them, and how gatekeepers and readers of Lynn Truss's famous zero-tolerance a

On Writing Chase Scenes

By Carolyn Howard-Johnson Author of  The Frugal Editor,  the winning-est  in her award-winning HowToDoItFrugally Series of books for writers This article is excerpted from some editing I did for a writer of experimental fiction when I was on a Greater Los Angeles Writers Society panel writer of any genre can apply these suggestions to the chase, getaway, or high action scene in your script or manuscript before you send it to an agent or publisher or, better still, while you are writing the first draft.  Sometimes even the most fascinating, interesting and irresistible  detail can slow down the forward movement of your story. So as much as writers are told that detail is important, purge as much as you can from your action scenes and put it somewhere else or dribble it into narrative in other places in your manuscript. In the process, ask yourself if your reader really needs to know the color of the protagonist’s eyes. As important as detail is, some is better left to t

MARGARET FIELAND INTERVIEW (guest blogger)

When did you first know you were destined to be a writer? LOL, I never realized I was destined to be a writer -- I fell into it. I'd written poetry for years, collecting it in notebooks stacked in my attic when I wrote one I wanted to keep. This led me to several online sites and ultimately to discovering the Muse Online Writers Conference where I hooked up with Linda Barnett Johnson and joined her writers forums. She required everyone to write both fiction and poetry, so, with much trepidation, I started writing fiction. Then I got hooked on it, wrote a chapter book, took the ICL course and actually learned how to write it. Then in 2010, I was seized by a desire to write a sci fi novel, so I spent six weeks or so on world building, mostly, with a bit of plotting thrown in for good measure. Who would you cite as your influences? I'm a way-back sci-fi fan, and Robert A. Heinlein influenced me heavily. I took a lot away from his writing, notably the value of surpris