Skip to main content

Character Titles by Mary Deal



  

Although many people claim only five to seven main titles of distinctions for types of characters, you will hear characters referred to by many different terms. What follows a list of how all characters may be titled.

Protagonist – The main character of your story and can be either male or female. It can also be an animal or any person or entity around whom the story revolves. The protagonist must want something or have something to prove. The protagonist doesn’t always have to be liked.

Antagonist – The person that opposes what the Protagonist wishes to overcome. An antagonist need not be a person. It can be a stubborn obstacle or situation.

Secondary Character – Any character that has a fairly prominent place in the story but is not the protagonist or antagonist, yet stands out over all the rest.

Incidental Character – Those story people who remain in the background and only show up to round out a scene or offer a bit of story detail that others did not know. These characters are usually found by the protagonist along the way to overcoming the obstacle they wish to master.

Heroine – A female who brings about the story’s climax and denouement. Usually the female protagonist.

Hero – A male character who saves the day, also, usually the story’s protagonist.

Villain – Can be male or female. The term usually applies to a human being and is most always the antagonist, though a few stories are written with the villain as protagonist. Villain is usually always the one standing in the way of the protagonist achieving her or his goals.

Mentor – A character who could be behind the scenes but who guides or advises the protagonist or other important character.

Foil – A character used to contrast another character to help establish personality.

Point of View (POV) Character – The character through whom the story is told. Applies to nearly all stories except those written from multiple points of view, as in Omniscient points of view.

Major Characters – All characters who are active throughout the story.

Minor Characters – Those in the background of the action, sometimes used as filler to round out the action.

Round Characters – Those whose personalities have been fully developed in the story, even though they may not be a prominent character. Many minor characters are rounded to give credence to what they do in the story, no matter how small their action.

Flat Characters – Those with little to no action in the story, have little to no personality development, and make few appearances. All stories have these people and the stories would not be the same without them.

Dynamic Characters – Usually those characters around whom the story evolves. Even though a character may make one appearance, or speak only one line of dialogue, it impacts the story in a way that the story would not be the same without their appearance.

Love Interest Character – Is usually someone in whom the protagonist is in love, but may apply to anyone in the story opposite any character, as long as the love interest portion impacts what the protagonist needs to accomplish.
For example, the protagonist may love a person who is already part of a couple with someone else. In the end, after trying to gain the love interest’s attention, once having solved the main problem needing to be accomplished, the protagonist realizes he or she is better off without that person in their lives. These characters’ lives can play out in any varied scenario of results.

Static Characters – People who never change throughout the story. Can be any character in the story. Their unchanging nature gives grounding to the main characters and adds greater depth to any character’s character arc. Can also refer to faces in the crowd.

Stock Characters – Story people used as fillers. They usually have no name and no real purpose in the story other than momentary, if that much, like walk-ons in a film. They pass in the background, enhance the background setting, but we never see them again.

All stories do not employ all of these people. However, as you create your plots, you will see the need to understand the characters you’re creating and their purposes.


 Mary Deal

Author, Painter, Photographer
Eric Hoffer Book Award Winner
National Indie Excellence Book Awards Finalist (past)
Pushcart Prize Nominee
Global eBook Awards Nominee
2014 National Indie Excellence Book Awards Finalist
Global eBook Awards Bronze
Global eBook Awards Silver
Art Gallery: http://www.MaryDealFineArt.com
Gift Gallery: zazzle.com/IslandImageGallery*

Comments

  1. I must comment here. I was surprised to learn all this information. But the more we learn, the better our writing becomes. This, especially, meant a lot to me and so I had to put it out in public for others.

    ReplyDelete
  2. Very interesting article. I didn't realize so many of the different character names. Very good article.

    ReplyDelete

Post a Comment

Popular posts from this blog

Ampersands: Pretty Is as Pretty Does

   By Carolyn Howard-Johnson Author of the multi award-winning HowToDoItFrugally Series of books for writers   Have you noticed how ampersands turn to gibberish when they are entered into some blog services like Google's blogpsot.com? That is only the beginning of problems ampersands cause for editors, and publishers of all kinds. Many of the difficulties they cause go unnoticed except by the publishing pros we would all like to impress like agents, librarians, bookstore event directors, and the acquisition editors at Knopf!    That's why I added a new section to the second edition of the winningest book in my #HowToDoItFrugally Series of books for writers,  The Frugal Editor . Because ampersands seem to be so popular these days, it's especially important for editors and authors who publish books to know a little about their history, how to use them, and how gatekeepers and readers of Lynn Truss's famous zero-tolerance a

On Writing Chase Scenes

By Carolyn Howard-Johnson Author of  The Frugal Editor,  the winning-est  in her award-winning HowToDoItFrugally Series of books for writers This article is excerpted from some editing I did for a writer of experimental fiction when I was on a Greater Los Angeles Writers Society panel writer of any genre can apply these suggestions to the chase, getaway, or high action scene in your script or manuscript before you send it to an agent or publisher or, better still, while you are writing the first draft.  Sometimes even the most fascinating, interesting and irresistible  detail can slow down the forward movement of your story. So as much as writers are told that detail is important, purge as much as you can from your action scenes and put it somewhere else or dribble it into narrative in other places in your manuscript. In the process, ask yourself if your reader really needs to know the color of the protagonist’s eyes. As important as detail is, some is better left to t

MARGARET FIELAND INTERVIEW (guest blogger)

When did you first know you were destined to be a writer? LOL, I never realized I was destined to be a writer -- I fell into it. I'd written poetry for years, collecting it in notebooks stacked in my attic when I wrote one I wanted to keep. This led me to several online sites and ultimately to discovering the Muse Online Writers Conference where I hooked up with Linda Barnett Johnson and joined her writers forums. She required everyone to write both fiction and poetry, so, with much trepidation, I started writing fiction. Then I got hooked on it, wrote a chapter book, took the ICL course and actually learned how to write it. Then in 2010, I was seized by a desire to write a sci fi novel, so I spent six weeks or so on world building, mostly, with a bit of plotting thrown in for good measure. Who would you cite as your influences? I'm a way-back sci-fi fan, and Robert A. Heinlein influenced me heavily. I took a lot away from his writing, notably the value of surpris