Skip to main content

The future of Africa depends on this



"Mr. Ayuk's book shows how the oil and gas industry can unleash economic development and prosperity across the continent." - Sec. Gen. Barkindo
 
 Although Africa has been an oil-market force for decades, it has lagged on natural-gas development, Ayuk points out. This needs to change, he says. While more gas exports would boost the continent's economy, the main reason he wants to see a gas-development boomis that gas would ease the continent's power shortages until renewables inevitably take over. 
     The power shortages that gas could help fix have been battering Africa's economy for decades, Ayuk laments. The main reason is that governments own most countries' utility assets, he contends. Governments that have separated power creation and distribution, and privatized it, are reducing their electricity deficits, he says. If adopted continent-wide, unbundling could go a long way toward  solving the power crunch, he asserts.   
     Ayuk is concerned about American companies' reduction in energy investment in Africa, which he ascribes to their assessment that Stateside shale prospects remain good and do not pose the risks that Africa does. He spends most of Chapter 17 making a case for why American energy companies, whose leadership and inventiveness he admires,should renew their commitment to investing on the continent.  
     "We need American oil and gas companies to continue operating in African communities and to continue hiring African people, purchasing from African suppliers, and partnering with African companies," he says. "And we need companies willing to share knowledge, technology, and best practices."     
     The bottom line, he says, is that "doing this remains very much in the interest of the American companies. They can reap tremendous financial rewards here."
     Ayuk also makes a case for Africa's oil and gas industry hiring and promoting more women. His main argument is one that you hear reverberating across the business world: Why limit your company's potential by failing to consider half of your country's human capital?
He underscores his argument by pointing to African women who have achieved petroleum-industry success, including becoming CEOs.
     Although "Billions" deals with one of world's most complex industries, it is easy to digest because Ayuk writes in a straightforward, concise and zesty style. This makes the book a joy to read. I learned a lot about Africa's oil and gas industry in "Billions" --and its prospects for the future -- and had fun while I was doing it.
 
 

PO Box 1223
Conifer Colorado 80433-1223
USA

Unsubscribe | Change Subscriber Options

Comments

Popular posts from this blog

On Writing Chase Scenes

By Carolyn Howard-Johnson Author of  The Frugal Editor,  the winning-est  in her award-winning HowToDoItFrugally Series of books for writers This article is excerpted from some editing I did for a writer of experimental fiction when I was on a Greater Los Angeles Writers Society panel writer of any genre can apply these suggestions to the chase, getaway, or high action scene in your script or manuscript before you send it to an agent or publisher or, better still, while you are writing the first draft.  Sometimes even the most fascinating, interesting and irresistible  detail can slow down the forward movement of your story. So as much as writers are told that detail is important, purge as much as you can from your action scenes and put it somewhere else or dribble it into narrative in other places in your manuscript. In the process, ask yourself if your reader really needs to know the color of the protagonist’s eyes. As important as detail is, some is better left to t

Ampersands: Pretty Is as Pretty Does

   By Carolyn Howard-Johnson Author of the multi award-winning HowToDoItFrugally Series of books for writers   Have you noticed how ampersands turn to gibberish when they are entered into some blog services like Google's blogpsot.com? That is only the beginning of problems ampersands cause for editors, and publishers of all kinds. Many of the difficulties they cause go unnoticed except by the publishing pros we would all like to impress like agents, librarians, bookstore event directors, and the acquisition editors at Knopf!    That's why I added a new section to the second edition of the winningest book in my #HowToDoItFrugally Series of books for writers,  The Frugal Editor . Because ampersands seem to be so popular these days, it's especially important for editors and authors who publish books to know a little about their history, how to use them, and how gatekeepers and readers of Lynn Truss's famous zero-tolerance a

MARGARET FIELAND INTERVIEW (guest blogger)

When did you first know you were destined to be a writer? LOL, I never realized I was destined to be a writer -- I fell into it. I'd written poetry for years, collecting it in notebooks stacked in my attic when I wrote one I wanted to keep. This led me to several online sites and ultimately to discovering the Muse Online Writers Conference where I hooked up with Linda Barnett Johnson and joined her writers forums. She required everyone to write both fiction and poetry, so, with much trepidation, I started writing fiction. Then I got hooked on it, wrote a chapter book, took the ICL course and actually learned how to write it. Then in 2010, I was seized by a desire to write a sci fi novel, so I spent six weeks or so on world building, mostly, with a bit of plotting thrown in for good measure. Who would you cite as your influences? I'm a way-back sci-fi fan, and Robert A. Heinlein influenced me heavily. I took a lot away from his writing, notably the value of surpris